I recently wrote a piece reflecting on the anomaly of Solange taking 4 years to create her latest album, A Seat at the Table. Historically, black women creatives have not had the luxury to take their time, so not only is Solange’s act subversive but it’s a cause for celebration.
Read the piece in its entirety at The Establishment
bell hooks wrote in her book, remembered rapture: the writer at work:
“Whenever I meet black females who have compelling visions, who have knowledge of our collective buried to share or moving personal stories, I urge them to write. I plead with them to put it down somewhere in journal and diaries, just put it somewhere […] We write to leave legacies for the future.”
My piece on Rachel Kaadzi Ghansah ( @the-rachelkaadzighansah) and the Necessity of the Black Woman Critic is an urgent echoing of hooks’ words to many of the black women writer/critics from across the diaspora. While I couldn’t name you all, I hope you accept this as a token of my appreciation for the work you do in capturing our varied histories and legacies. May you, please, continue on writing it down.
You can read my latest for Blavity, Here
Self-reliance is an understanding of one’s ability to define and determine the self. That understanding is a difficult one to reach as a black woman. Often times our paths are obstructed by the looming presence of a society whose existence seems rooted in keeping us down. But, as Maya Angelou reminded us, we still shall rise. See what these 13 writers have to say about the matter of self-love and self-reliance.
Read more of my latest offering for Blavity